About Letterheads

50 Years of Craft, Community, and Hand-Painted History

Roughly 50 years ago, a talented group of Denver craftsmen formed a loose-knit collective known as the Letterheads, sparking a movement that would permanently transform the sign-making industry. What began as informal gatherings to swap stories and classic techniques quickly exploded into a national phenomenon by 1982, fueled by landmark, editor-attended events like the “Boise Bar-B-Q” and the “Oklahoma Bash.” Amazingly, this vibrant community continues to thrive and grow without any formal governing body, boards, or presidents. Built on a revolutionary willingness to openly share once-closely guarded trade secrets, the Letterheads movement seamlessly bridges traditional skills like hand-gilding with modern computer technologies, uniting generations of artisans who gather solely to learn, teach, and celebrate their craft.

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Letterheads History

How a Denver Craft Collective Revolutionized the Sign Industry

Meet the original seven Letterheads!

From left to right……Bob Mitchell, Mark Oatis, John Frazier, Mike Rielley, Noel Weber, Earl Vehill and Rick Flores

Photo courtesy of Signs of the Times Magazine.
The beginning of Letterheads...

Roughly 50 years ago, a magical moment in sign history, a group of extremely talented Denver craftsmen found each other and began having loosely structured meetings-get togethers more like it. They may have gathered just to have a good time and swap stories but eventually began intensive information and technique swapping. The old sign painting books such as Strong’s Book of Designs became a cornerstone of their learning. As their talents and craftsmanship sharpened, they began entering the Signs of the Times annual design competition and generally swept every category. At the bottom of every entry, they wrote “member Letterheads”. After the Letterheads were featured in a later Signs of the Times magazine, the rest of the sign industry learned of the Letterheads, with much envy.

In 1982, Noel Weber hosted the “Boise Bar-B-Q” in which he invited additional craftspeople from around the country. In October of the same year, Mike Jackson hosted the “Oklahoma Bash” in Moore, Oklahoma and roughly 135 sign makers showed up for an intensive weekend. Both Signs of the Times and SignCraft magazines sent their editors. As the next issues hit the streets, their articles and photos enlightened the entire industry. The movement was in full force with large meetings in Kansas City in 1983 and Memphis the following year. The rest of the growth is history. Literally hundreds of meetings have just “happened”. The Denver group hosted the 10th and most recently 20th anniversary meetings. While there is usually one National meeting a year, there are often four or five regional or area meetings a month scattered all over the country.

Amazingly, the Letterheads thrive, grow, and evolve without a true governing body. That’s right-no president, treasurer, or even board of directors. The basic rule of thumb has been “if you want or have a Letterheads meeting-have one”. That person or group decides the format, location, fees charged if any and all other variables.

At the center of the all the hoopla is the willingness to learn, share, and explore. Prior to the Letterheads, many craftsmen closely guarded their hard earned knowledge. Once, caught up in the movement, it becomes difficult not to want to share your knowledge, especially when even more experienced people are sharing theirs. While the earliest meetings in Denver emphasized the noble craft of sign painting, gilding, and designing, later meetings have acknowledged and accepted the introduction of the computer age. Even today, the blending of the old craft and state of the art technologies collect a crowd. Often, meetings have a theme, and attendees are encouraged to make a project showing off some of the person’s talents or techniques.

HOST A LETTERHEAD MEET IN YOUR TOWN OR AT YOUR SIGN SHOP!

The basic rule of thumb has been “if you want to have a Letterheads meeting-have one”!

Your group decides the format, location, fees charged if any and all other variables.

OPEN FESTIVALS

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COMMISSIONED FESTIVALS

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